I’ll Eat You Last.

Intimatchine talk to Andrew Darley about how they want their music to make listeners somewhat uncomfortable, and their EP I’ll Eat You Last.

“We are particularly interested in themes of androgyny, pandrogyny, and cross-gender identity as part of our creative content and process. There is an aesthetic and feeling that go with tapping into one another’s social construct.”

[rating=4]
Released October 29, 2013
From the archives of notorious performance art group COUM Transmissions, Home Aged and the 18 Month Hope features interviews, poetry, and sound experiments.

“This album shows the peak and eventual end of one of the most transgressive art groups of the 20th century. The mix of sonic experiments, poetry, and interviews offers a rare public glimpse into the world of these weird artists.”

Talking To A Real Elder.

Genesis P-Orridge talks about the creation of industrial music, William S. Burroughs, and the photographic biography Genesis P-Orridge.

“Burroughs showed Genesis his notebooks and cut-ups. And then proceeded to tell Genesis h/er mission in life: ‘Your job, Gen, is how to short-circuit control’.”

[rating=4]
Released November 1977

The first official release from Throbbing Gristle ushered in the Industrial Era of music. Classic Music Review.

“Far removed from the over-distorted guitars and synthesizers of Nine Inch Nails and Ministry, this is industrial music at its most primitive and primal, a collection of studio and live snippets not designed for radio play or popularity, but rather designed to strip music down to its bare essentials, to make it dangerous again.”